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Monday, 1 October 2012

THE USES OF SECULAR RULERS AND CHARACTERS IN THE WELSH SAINTS’ LIVES IN THE VESPASIAN LEGENDARY (MS. COTTON VESPASIAN A. XIV.)

Found another very interesting dissertation by Luciana Meinking Guimarães whilst browsing. Here is part of the introduction and then the link to the work.

The idea of this research arose from the study of the instrumentalisation of the figure of King Arthur in four Saints’ Lives found in the manuscript of the British Library Cotton Vespasian A. xiv . Arthur’s instrumentalisation in the Saints’ Lives implied an examination of the claims which each hagiographer made by inventing or (re-)elaborating specific Arthurian anecdotes. The thought of grasping the “hagiographers’ intentions” in their uses of Arthur in order to envisage what their possible religious and/or political claims could have been, suggested a change in the approach to the hagiographical material. It presupposed a certain distance from the use of the texts within the literary context of the genre of saintly biography – with its edifying tones to the greatness and holiness of the main characters – to one which concentrated on the worldview of the hagiographers and their responses to historical events. This, however, did not seem to be an uncontroversial task in view of the seemingly literary treatment given to the secular rulers in these writings.

After studying in detail the Arthurian Welsh Lives of Saints Cadog, Illtud, Padarn and Carannog, the hagiographers’ treatments of other secular characters came to the fore in that they showed that not only Arthur, the “King,” received much of the hagiographers’ attention but also other greater or lesser kings with more established historical backgrounds in the Welsh context, as is the particular case with King Maelgwn of Gwynedd. This would beg the question of whether our modern understanding of the Arthurian legend has influenced our perception of the role that Arthur played in these medieval texts and of whether Geoffrey of Monmouth’s Historia Regum Brittanniae, with its appropriation and re-elaboration of Arthur’s career, might have contributed to push into oblivion other candidates’ chances to be invested with much more elaborated historical legends. Another important aspect was the acknowledgement of the difference with which the hagiographers treated secular characters like Arthur and Maelgwn – whose historical or pseudo-historical activities would be placed in the early middle ages – in opposition to the treatment given to contemporary or almostcontemporary historical rulers of Anglo-Saxon, Welsh and/or Norman origins, like Edward the Confessor, Harold Godwinesson, Gruffudd ap Llywelyn, Caradog ap Gruffudd ap Rhydderch and William the Conqueror. The few analyses of medieval hagiographical material written in Wales concentrated, however, on the hagiographers’ treatments of their hero-saints, on the establishment of a biographical structure which, in its main pattern, followed not only that of main stream Western hagiography but also contributed to pinpoint specific Welsh 6 characteristics and to emphasise, therefore, the cultural differences pertaining to the Welsh people (cf. Rees 1936, Henken 1983, 1987 and 1991, Smith 1990: 338-343).




Celtic Culture - a Historical Encyclopedia

Came across this whilst browsing and had to share as it appears to be the full version.Koch, John T., Ed. - Celtic Culture~a Historical Encyclopedia

Friday, 28 September 2012

Dark Age TV - Inside The Medieval Mind

One of the world's greatest authorities on the Middle Ages, Professor Robert Bartlett of St Andrew's University, investigates the intellectual landscape of the medieval world. In the first programme, Knowledge, he explores the way medieval man understood the world - as a place of mystery, even enchantment. The world was a book written by God. But as the Middle Ages grew to a close, it became a place to be mastered, even exploited. In this programme, Power, Professor Bartlett lays bare the brutal framework of the medieval class system. Inequality was a part of the natural order: the life of serfs was little better than those of animals, while the knight's code of chivalry was based more on caste solidarity than morality. The class you were born into determined who you were." In Sex, he unearths remarkable evidence of the complex passions of medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic, or 'courtly' love." In Belief, the supernatural comes under the spotlight. The medieval dead shared the world with the living: the cult of the saints, encounters with the dead, and visions of the next world were all seen as proof of a two-way traffic between this world and the next."